Barış Celiloğlu is a graduate of the Central School of Speech and Drama, London. She also studied with the famous physical theatre teacher Philippe Gaulier in his London School between 1997 and 1998. She was initially trained by the famous Turkish actress Şahika Tekand in her drama school in İstanbul in 1993. Barış Celiloğlu started her acting career in İstanbul by performing in the acclaimed films Don't Let Them Shoot the Kite by Tunç Başaran and Sommer­sault in a Coffin by Derviş Zaim. She also played various parts in Turkish theatre in Studio Players and Bilsak Theatres (Beatrice in Roots by Arnold Wesker, Helena in A Midsummer Night's Dream of Shakespeare, Madam in The Maids by Jean Genel, the Lover in War Plays by Edward Bond) until she moved to Britain in 1997. In Britain, she performed in various venues such as The Gate Theatre (Don Quixote-Mar­itornes, Dulcinea), Arcola Theatre (Pelebians Rehearse the Uprising-Brecht's actor), The Young Vic (work in progress by Kwong Loke-Women of Troy-Hecuba), and joined Edinburgh Fringe Festival with a leading part (Semblance of Madness) in 2001 as well as performing in a British film (Closed Circuit-Ms Kemal) in 2012 directed by John Crowley and TV (The Bill-Mrs Yavaş) by Thames Television in 1999. She has recently played a mother in an infomercial (Dinner Table) made for the Quilliam Founda­tion directed by Jon Stanford and played Charlotta in Cherry Orchard directed by Mehmet Ergen at the Arcola Theatre. Barış Celiloğlu also has been directing plays in the fringe since 1998 and teaches drama and acting in a London college. Barış dedicates this performance to her beloved parents İlhami and Bilhan Celiloğlu and many other progressive people who fought against juntas in Turkey.

He studied Theatre at Kadikoy Community Center from 2006 to 2008 in lstanbul.
Yener Celik, took the role as a storyteller in the adaptation of 'Mothers Whose Sons are Killed' written by Kemal Ozer in 1996, lstanbul.
In 2000, he performecl in the film 'True Story' directed by Hakan Alak.
Yener Celik played Hacivat in 'The Captaiship of Karagoz' written by Aziz Nesin in 2007.
He performed in the 'Rebellious Spring' directed by Celal Perk at the 'London Daymer Stage' in 2012 and he also played in OBEB written by Yigit Sert Demir & directed by Celal Perk there in 2013.
He also worked as an Assistant Producer in Euripides' "Trojan Women" directed by Erkan Yalcin at the Kadikoy Community Center in 2008.

Neil has been producing music for over 20 years, recently concentrating on sound design and composition for theatre. Since moving his focus he has worked on a wide variety of shows, Shrapnel was nominated far Best Sound Design in the 2015 Offies.

Credits include: The Lights (Royal Court), The Bear (MAC, Birmingham), The Caucasian Chalk Circle (Greenwich Theatre), Bliss,The Cherry Orchard, The Lower Depths, Cholera Street, Drones, Baby, Drones, Richard il, Children of War, Clarion, Shrapnel, Mahmud ile Yezida, Between Us, The lntruder and The Bald Prima Dona, Theatre Uncu!, Mare Rider (Arcola Theatre); The Local Stigmatic, Iron (Old Red Lion); The Bacchae, Richard 111, Say your name (Blue Elephant); The Women (GSA); The Caucasian Chalk Circle, The Revenger's Tragedy, The Merchant of Venice (Brockley Jack); Tamburlaine, Troilus & Cressida, Coriolanus (Tristan Bates); His Dark Materials (Nuffield, Southampton); Henry V, Closer to Heaven (Union); The Water's Edge, When the Bulbul Stopped Singing (Talimhane, Istanbul); Dead in the Water (Brighton Fringe); Shang-a-Lang (King's Head); The Door (Park Theatre).

Gül started her amateur acting career in London. She performed in the adaptions Clara Zetkin's Life, Refik Erduran's Neşenin Şarkıları and Muzaffer Oruçoğlu's Tohum.
Furthermore, she was an assistant director of OBEB directed by Celal Perk.

Rasa is a 3rd year Theatre Design student at Wimbledon College of Aris. Her style of work is similar to how she approaches her life - everything organised and practical. Her sets consists of clean-cut shapes and minimalist landscapes, all designed to showcase the story line portrayed to its very best. Additionally she is known for always adding an unexpected twist to the overall visual to complete the image she portrays on stage.